“So much talent on one stage! The foursome of Hermia (Emilie O’Hara), Helena (A.J. Baldwin), Demetrius (Patrick Earl Phillips), and Lysander (K.P. Powell) is so well cast. All of these actors have pulled new and original takes on these lines and characters, making them fresh. The acting is quite physical, sliding down the entry stairs, lifted as if enchanted (strong corework), jumps, hops, kicks, and tackles. They are such professionals. ”
Read the full review here: Midsummer LCT Review
“Patrick Earl Phillips energizes the audience as the narrator and sets the mood and energy level at a 10. Intermission buzz was all about Phillips.”
Read the full review here: LCT “This Is Tom Jones!”
“Comedic timing and strong vocals are a must for this show and each artist in this cast has such gifts and then some.”
Read the full review here: Behind the Curtain Cincinnati Review
“This is Tom Jones! is a hilarious, groovy, entertaining show and the Human Race Theatre knocks it out of the park.”
Read the full review here: LCT Review
“Vocally, you must notice Patrick Earl Phillips (Amiens) and Candice Handy (Phoebe). Both are featured in “I Don’t Wanna Freak Out Anymore” and other songs.”
Read the full review here: LCT “As You Like It” Review
“Further, the energy of Patrick Earl Phillips as Laurie is one of the best things about the show… Mr. Phillips will make you smile, blush, and then break your heart into a million pieces.”
Read the full review here: LCT “Little Women” Review
“Phillips does a fine job of walking this emotional tightrope, never pushing too hard but always subtly revealing a deeper feeling that Jo won’t acknowledge but that the audience feels deeply.”
Read the full review here: “Little Women” CityBeat Review
“The performances are all excellent: Patrick Earl Phillips delivers a charming snob that the audience is fated to root against, and provides accompaniment on the keyboard.”
“Filling out the ensemble is Angeline Archer, Brianna Miller, Rachel Perin (also choreographer), Patrick Earl Phillips (who also sings in the pre-show), Dawn Stern, and Nathan Sullivan who juggle multiple roles and add to the mayhem and enjoyment of this production. ”
For the full review, click here: League of Cincinnati Theatres Review
“Each actor’s character feels as if pulled from a storybook. ”
For the full CityBeat review, click here: “The Frog Princess” CityBeat Review
“Everyone in this joyous, whacky production seemed perfectly cast, and they all have voices most pleasant to the ear. ”
For the full review, click here: Tony Dallas Frog Princess Review
“Patrick Earl Phillips and Jude Walker, playing Demetrius and Chiron, respectively, embrace the strong physicality of their characters”
Photo courtesy of Mikki Schaffner Photography
For the full review, click here: LCT Titus Andronicus
“Mercury’s entire cast is delightful to watch as they bicker and brutalize each other.”
Photo coutesy of Dan R. Winters
For full review, click here: CityBeat Mercury Review
“Phillips’ creates a complicated memorable character, worthy of our fear.”
Photo courtesy of Dan R. Winters Photography
Full review here: LCT Review
“Patrick Phillips completes a terrifying package with the effortless, almost charming way he induces fear.”
Photo courtesy of Dan R. Winters Photography
Click here for full review: ArtsWave Mercury Review
“The cast as an ensemble of this production is one of the finest I have ever seen... with Patrick Earl Phillips, a master of physical comedy, as Passepartout.”
Photo courtesy of Scott J. Kimmons
Full review here: Around the World in 80 Days BWW Review
“The energetic, nimble Patrick Earl Phillips displays impressive physicality as the excitedly quirky Passepartout, Fogg’s devoted, impressionable valet.”
Photo courtesy of Scott J. Kimmins.
Read the full review here: Dayton Most Metro 80 Days Review
“Two performers stand out – Jake Lockwood and Cincinnati native Patrick Earl Phillips. They add memorable quirks to the small roles (passport stampers, bellhops and more) and conquer their larger roles with great physical and vocal alacrity.”
Photo courtesy of Scott J. Kimmons
Read the full review here: LCT 80 Days Review
“It is productions like these that I always find so emotionally rewarding, reminding me that Shakespeare’s wit, creativity and inspirational vision truly transcend any period or generation.”
Photo courtesy of Mikki Shaffner Photography
Read the full review here: LCT Twelfth Night Review
“Moment to moment, Twelfth Night is entertaining ...”
Photo courtesy of Mikki Shaffner Photography
Read the full review here: Twelfth Night CityBeat Review